I think that at least the sub-title “Episode IV: A New Hope” was added in that DVD release… Anyway, a “4K77” scan of a 1977 film reel distributed directly by the studio exists, it’s just noisy and needed color correction.
find an original film print and have it scanned
The 4K77 project did just that, scan and color correction to reverse fading, and effectively no other processing so they cannot claim copyright. Arguably, Harmy’s Despecialized Edition cannot either, even if the original becomes public domain, as it could be argued that their effort only served a technical purpose. I don’t think you can scan, upscale and denoise Steamboat Willie (Walt Disney, 1928) and claim copyright on that even if you do it by hand.
Interesting… Too bad a right-holder can do minor edits to their work and effectively extend copyright (which is already very long in my opinion) if they nuke the previous version. Lucas was surprisingly successful at that, and I think game studios or other creators could do that today too with their aggressive DRM tactics.
Thank you, great point!
I know, it’s better for decentralization to link to the directory. The Black Company tried but they were overrun by Italy. LEMMY.ML
is the “shortest” Lemmy link and we cannot fit anything more unless the canvas expands or the very loose Fuck Spez Coalition lends us more space.
First sentence of my post, for this very reason – they own the franchise, after all. The law may also change the other way but that’s very unlikely to happen in the US within 50 years.
I wonder if they could develop a system of draconian DRM (only their own theatres with metal detectors, personalized online streams…) and mildly edit movies every few decades so that they can destroy the original and effectively renew copyright. The gaming industry’s always-online DRM makes nuking a release possible but copyright lasts for about 20 console generations (we’ve only had 8 so far!) so they don’t even have to do that.