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Joined 2 years ago
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Cake day: March 19th, 2024

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  • Its perfectly viable to run your support software on your own hardware (whether local or VPS).

    I do this for myself, as well as for companies sized from 50-5000 (roughly). Larger ones deploy off my specs. The question to me is what is the plan around it. How will backups be handled? What if it goes offline due to a hardware failure? Do you have backups in place? A cold or hot spare? Multiple machines in an HA configuration? Do you need to go to that level if there is an outage?

    I also prefer to make use of solutions with a support model that allows for locally hosted, but has a phone number that can be called. Part of this is because I don’t want to field all these calls, part of it is for the comfort of the client that they have a number they can call (or a dedicated email, whatever, the point is a support contact not how they are contacted), and part of it is to support the project.

    My wife has a (small) business, I have a small business, and I work for a consulting firm (design and engineering). All three make use of on-prem f/loss, all three pay support fees to those projects who do that (and random annual contributions where possible to those that don’t).

    So the short answer is: Figure out your requirements and your disaster recovery scenarios, then figure out what option works best for your needs from there. Cloud, VPS, or internally hosted are all viable, and all come with their own pluses and minuses.






  • I’m just saying the percentage of those who may have been willing to pay is small enough to be irrelevant in the for-profit release perspective.

    Netflix (when it first started streaming) and Steam (when sales included good older stuff for wildly cheap) showed that piracy is more of a service problem than anything else. A recent article called out the content problems (partial content, a few seasons behind a separate paywall, ads in the middle of playback, etc) a are directly related to an increase in piracy.

    So my opinions on copyright aside - a clear model to a happy consumer is an affordable price without all the enshittification going on. People also dont like “buying” content that later disappears because of licensing changes.

    So I’d put it squarely in the “their own damn fault” territory, and I’m glad when judges say “no” to them. I’ll take whatever positives I can get.










  • Depends on how its done.

    First check the audio tracks and see if there is one with a voice over and one with regular audio - if so, easy! Reencode and drop the unneeded track.

    If not… Youre going to have a rough time, you’d be better off trying to find just the audio and aligning it.

    Edit: or another copy of the show obviously.

    The handy bit would be if you could find a crappy quality version, you can still pull the audio from there and align it with your copy. It may not be great audio and still require some degree of effort to sync properly with the video, but it would be a much more realistic effort than trying to remove speech from the same track.