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Cake day: June 22nd, 2023

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  • My good faith response to your good faith question: because having a DRM-free copy on your own server or hard drive is the only way to be sure you will be able to play it tomorrow.

    Streaming services are a complex collection of licensing deals that are by design temporary. You may not hear beforehand when your favorite artist’s label’s parent company’s conglomerate’s CEO decides to pull their content because they’re going to start their own streaming service, or another service gave them a lucrative exclusive deal.

    And while you’re never going to have a hard time finding Taylor Swift, that one 70s esoteric album may become instantly impossible to find once it drops off a streamer.

    In the end there are no promises with a streaming service. On the other hand, you put in a small amount of work to grab MP3s or FLACs, set up your own Plex server (or Emby, etc), and you’re good for pretty much forever.

    Similarly, support artists by buying their direct merch, going to shows, and so on, but they are barely seeing any Spotify money. Between Spotify and the labels, they are cleaning the plate and artists are getting whatever crumbs fall off the table (unless you’re Taylor Swift or another global artist).




  • This is a very thoughtful take. I just have one issue, which is the adjustment you’re talking about, where the base becomes less charged, isn’t something we can rely on anymore. The base in many cases doesn’t even understand the reforms, whether they’ve been implemented, or how they affect them.

    For example, the ACA in the US gave health care to tens of millions of people, a huge amount of whom were stupifyingly demanding to not be given health care because it was “Obamacare.” Polls show that those people strongly wanted more affordable health care options, oppose removing the more adorable health care they are using, but also want “Obamacare” repealed.

    Their reality is somehow kept separate from their experience, since their reality is defined by their consumed propaganda and their experience is subservient to their reality.

    All that is to say: we still need to fix the right wing propaganda problem before any solution works, even the logical map in your post.


  • It’s influencers targeting “outsiders.” There have always been outsiders, whether in the 70s, 80s, 90s, 00s, etc. Sometimes that’s even healthy. But because that only became a source of strongly-defined “identity” and “pride,” often people in the past would grow out of it or use it productively (as a source of empathy for other outsiders) and leave only a small dedicated core group who were vulnerable to being exploited.

    The difference is that now these influencers indoctrinate a vulnerable audience at the right time, and coach that audience into making alt-right talking points a part of their identity. Social media then allows those new recruits to see each other and create a community that self-reinforces.

    There is no equivalent push on the left, because the left assumes that sense will eventually prevail. It was true decades ago, but now there is no reason to believe that - those indoctrinated never have to confront their doctrine, they live surrounded by it.

    So yep, it’s going to keep growing. The only solution I can think of is to regulate news media to penalize lying and propaganda. That itself is nearly impossible to do right, since it will be abused by every right-wing leader if there is any opportunity.






  • All these responses about the historical origins of the concept are not wrong. But I think in modern pop culture, it’s really Rick & Morty that normalized canon-breaking (*but still canon) multiverse plotlines, and is primarily responsible for the wave of multiverse pop culture.

    EDIT: Yes, sorry if it wasn’t clear from the first sentence, but nobody is saying Rick & Morty invented the multiverse, classically or in pop culture. I’m saying that we are currently in a (saturated) wave of multiverse media - which I assume inspired OP’s question - and this wave, in 2024, is the tail end of the wave started by Rick & Morty.





  • It’s whether the OS has hardware to make the platform “trusted.” Android does by default with Widevine, Windows does by default with TPM and Widevine, Linux does not by default.

    “Trusted” here of course means, trusted by the company, not by the user. If it’s a trusted platform, it has a cryptographic key exchange space that the user does not have access to. This prevents a spoofed DRM certificate or other interception of the HD stream, which in theory prevents a stream from leaking.

    “In theory” of course, because every piece of content is ripped and available DRM-free as soon as it’s released.





  • The headline is misleading, but the article reports it correctly.

    In copyright law in the US, there is a 3-year statute of limitations. However, some jurisdictions follow the “discovery rule.” This is a court-made doctrine that allows a lawsuit to be filed beyond 3 years if the plaintiff can show they only discovered the infringement after the statute of limitations ran out, with some other extenuating factors. However, there is also the issue of damages. Under a sister legal doctrine, damages that are more than 3 years old have been barred regardless of whether the discovery rule allows a lawsuit. Effectively negating the discovery rule.

    The Supreme Court in this situation held that damages follow the discovery rule. Meaning, if the discovery rule applies, then damages can be sought. The Court explicitly said it wasn’t ruling on whether the discovery rule applied.

    The decision doesn’t expand or create the discovery rule that allows lawsuits beyond 3 years. That already existed.

    Interestingly, this is a rare time when I agree with Gorsuch on the dissent. He basically said, “The damages is moot because the discovery rule is made up and shouldn’t even apply, so the majority is wasting its time even entertaining that damages can be sought.”


  • From their website: https://futo.org/what-is-futo/

    What is FUTO? FUTO is an organization dedicated to developing, both through in-house engineering and investment, technologies that frustrate centralization and industry consolidation.

    Ok… So what does that mean?

    Through a combination of in-house engineering projects, targeted investments, generous grants, and multi-media public education efforts, we will free technology from the control of the few and recreate the spirit of freedom, innovation, and self-reliance that underpinned the American tech industry only a few decades ago.

    FUTO is not reliant on any existing tech company or venture capital firm for its funding. We are not expecting quick profits. We will never cash out with a sale to a megacorporation the moment our technology begins to catch on. We will focus entirely on the mission.

    If you share these goals, either as a user or a developer, we ask you to watch this space and get ready to throw off the stultifying limitations of the current state of affairs. We want to return to an era where a substantial portion of computer users can understand, control, and use their technology as they see fit without the approval or input of oligarchs. And we need your help.

    Ok so… What does that mean?

    Maybe the OP’s video explains these things (I hate watching videos for things like this), but I really thought I’d be able to find an explanation, in practical terms, of what this organization actually does on their own website.